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Harpsichord by Keith Hill, 1978
RICERCAR offers an intriguing perspective into the works of Johann Jakob
Froberger, Georg Bohm, and Johann Kuhnau. This disc pays homage to
the wealth of keyboard music in the century preceeding J.S. Bach--
those pieces with certain technical structures that undoubtedly
contributed to Bach's musical education. Contains the rarely-recorded
Kuhnau masterpiece "The Death and Burial of Jacob." Recorded at the
American Academy of Arts and Letters in New York City.
The Sarum Consort -- Chamber Choir of St. Peter's in the Great Valley -- Martha N. Johnson, conductor
In the winter of 1705, Johann Sebastian Bach made a grueling journey on foot, to witness and study with Dieterich Buxtehude, then considered the greatest organist in Germany. Bach was so captivated by Buxtehude that he allowed his four weeks' vacation to slip from his mind, returning instead after four months. This disc marks the beginning of a long-overdue edition of Buxtehude's works on Compact Disc.
Jennifer Lane, mezzo-soprano -- Timothy Burris, theorbo
Eleven songs to move the passions of the soul of Giulio Caccini, Sigismondo d'India, Monteverdi, Barbara Strozzi and Girolamo Frescobaldi, and two theorbo solos of Johann Hieronymus Kapsberger. Recorded at St. Peter's Episcopal Church in New York, with historical notes and libretto.
Gavin Black, organist
Works from the German Baroque, from four composers having a strong influence on Bach: Lübeck, Tunder, Pachelbel and Buxtehude. Played on the Richards, Fowkes Opus 5 organ at St. John's Lutheran Church, Stamford, Connecticut.
Gavin Black, Harpsichordist
Featuring the world premiere of PGM's "Buxtehude" harpsichord constructed by Tyre & Goudzwaard. Click here for details on the instrument. This collection of Buxtehude keyboard music includes the 32 variations on La Capricciosa, which were the inspiration for Bach's Goldberg Variations.
Tamara Matthews, soprano; Jennifer Lane, mezzo-soprano; Jorg-Michael Schwarz & Karen Marmer, violins; Loretta O'Sullivn, cello; Timothy Burris, lute & theorbo; Eric Milnes, organ and harpsichord. Includes the world-premiere recording of Ristori's "Canto Divoti Affetti" which was presumed until early 1995 to have been destroyed in the bombings of Dresden during WW II.
Gwyn Roberts, recorder; Richard Stone, theorbo and archlute; James O. Bolyard, bassoon; Webb Wiggins, harpsichord and organ and Ann Marie Morgan, cello.
The first six of Veracini's solo sonatas dedicated to Prince Elector Friedrich August of Saxony in 1716 are performed here by Gwyn Roberts and Tempesta di Mare in a 1996 recording made at St. Peter's Church in the Great Valley, Malvern, PA.
The first full collection of Salamone Rossi's 17th-century Jewish service music from 17th-century italy, this two volume set (available separately) is a collection of liturgical works for the sabbath. Featuring the New York Baroque, Eric Milnes, Director.
New York Baroque, Eric Milnes, Director.
Recorded January 26-30, 1996 at St. Peter's Cathedral, New York.
Trinity Cathedral Choir and Baroque Orchestra -- Eric Milnes, Director
Recorded LIVE on March 31, 1996 at Trinity Episcopal Cathedral, Portland, Oregon. This performance features a unique gathering of some of America's finest Early Music performers, and offers one of the few recorded American interpretations of this work.
Mark Bleeke, Evangelist -- Nathaniel Watson, Jesus
Jennifer Lane, Mezzo-Soprano, A Deux Violes Esgales: Sylvia Abromowicz, Jonathan Dunford, Viols -- Sylvain Bergeron, Lute -- Eric Milnes, Virginal
Featuring the first published works where viols were used in place of the lute as the primary instrument, this collection of 16 pieces from 1600-1607 presents mezzo-soprano Jennifer Lane and À Deux Violes Esgales in a recording that evokes the romantic spirit of the time.
Joan Lippincott and George Ritchie, Organists
Produced in conjunction with the American Bach Society
Fascinating and relatively unknown organ works on the edge of the Bach canon. Recorded in July of 1997 on the Fritts-Richards organ at St. Alphonsus Church in Seattle.
Katherine Harris, Soprano and Nathaniel Watson, Baritone, with I Cantori di New York, Mark Shapiro, Artistic Director. Marshall Coid and Kurt Coble, violins; Sarah Adams, viola; Christine Gummere, cello; Anna Reinersman, harp; Peter Weitzner, double bass and Dean Thomas, percussion.
In its debut recording, I Cantori di New York presents three modern works for chorus, each accompanied by string quartet plus one additional instrument.
Music by Buxtehude, Veracini, Fux and Schütz
Featuring New York Baroque, The Sarum Consort, Jennifer Lane Mezzo-soprano, Gavin Black Harpsichord, and others
PGM is pleased to present this unique collection from its repertoire of early music recordings. The most festive and celebratory selections from PGM's growing gallery of early music recordings have been specially chosen for this distinctive holiday collection.